I have listened and read both 'Listening to radio plays: fictional soundscapes by Alan E.Beck' and the radio 4 show 'The Archers'.
The artical by Alan E.Beck outlines a detailed history of the radio, how long people have been listening to it, and the best ways in which to listen to the radio. "Following the invention of the FM stereo, the auidence has had access to a more varied listening environment, weather in a car, in the kitchen or comfortably seated with full attention, each listener creates thier own 'listening zone' which includes externally these environmental factors and extends internally into thier imagination."
I also listened to the latest episode of 'The Archers' on the radio 4 website, in realation to Alan E.Beck's theroy i think that many points he makes become evident whilst listening to the show.
The first thing that was noticable is that E.Beck skillfully talks about the differences between our everyday hearing and what we think when listening to the radio.
"In this artical i will investigate how listeners to radio drama are positioned at the centre of ideal soundscapes. I will examine the differences between our everyday hearing experiances and the fictional atmos, the effects (or F/Xs), and the dialouge of a radio scene."
Another thing i noticed whilst listening to The Archers was that you can instantly imagine the scene that is being set, Alan E.Beck talks in his artical about setting the scene and imagining the atmosphere that is being created.
"Here are some examples of scene openings:
1. F/X man digging in an open feild with exertion
2. Wife (arriving) still digging the carrots tony?
OR
1. F/X Jane typing desperately and sighing
2. Husband (entering) hows the book going, or dare i ask?
Just by reading these four sentences we can instantly imagine two different scenerios taking place.